Think I see the major issue with the picture. its not that its a solid ZOMG naruSaku moment. Thats not what Is ee at all. I see though a subtle yet direct hint drawn in the style Kishimotos used from the beginning.
In chapter 245 pages 13-14 he uses a similar design of blush and eye line to show sakuras reaction to narutos return.
Similar even to the point of having her clutching her hand over her heart in a rather similar way.
To me it's kind of going overboard with the strenuous objections, when none of us that see it as a ns moment are saying it's a giant moment, it's a tiny but significant moment- for the first time Naruto is showing in his own mind that he recognizes Sakura has romantic feelings for him, that she's not stuck in Sasuke fangirl mode. The positioning as well visually communicates an understanding of this- Sakura's attention is only on Naruto (unlike the others she doesn't notice the "camera" or react to it) completely open to him, no one comes between her and Naruto- even the space between their bodies is blank white space, no building backgrounds even- drawing the eye to that space, their faces overlap, and they are nearly eye to eye (which does subtly, to me at least, remind the readers of the similar facial positioning of young Kushina and Minato as she smiles and lightly blushes from over his shoulder from only a few chapters ago- thus fresh in readers minds.)
Oh and maliousdei not all of us. Those of us that know shonen manga plotlines knew way back in chapter 3 that Sakura would fall in love with Naruto and they would get together. It's very like romance novel plotlines in the west- that plotline is all about the journey of two people to understand and love each other. It's an absolute given they will end up together, it's how that is the point readers are meant to follow, not see derailment in every tiny obstacle. Kishimoto is modest, he writes romance rather well, avoiding or minimizing the points the that weaker romance writers use too much- especially the infamous poorly done and drawn out "big misunderstanding" much loathed by romance readers who want quality stories because it-
Makes the characters look bad- usually woman just looks a bit foolish if it's on her side, where if it's the guy he comes off even worse, like a total jerk, it's a killer for romance build up unless it's resolved quickly and well
Is a lazy way to separate the characters for a while
If it's resolved quickly it can be a positive moment (even though it's a momentarily painfully negative moment) of growth of the characters and the relationship- ala Kishimoto really just from 470 to 474 (and Kishimoto even uses a common quick resolution tactic of the better writers who use the big misunderstanding- male mutual friend speaks to male of the almost confirmed couple and straightens out the misconceptions- when the image of Team 7 shatters in Naruto's mind and he passes out, it's resolved- confirmed with Naruto's interactions with Sakura from the point he rescues her from Sasuke.
Since romantic plotlines are handled in a very similar fashion- if an American reader wants to quickly increase your understanding of shonen manga romance plotlines I suggest reading a few romance novels- especially historicals that feature "fiesty" women (romance keyword for what is like shoujo manga's or Kishimoto's for that matter, interpretation of the tsundere type) and a "rake" or "scoundrel" (romance keywords for a guy that falls somewhere between Naruto and Jiraiya's personality- bit closer to Jiraiya's though, every so often you find one with a Minato type guy.)
Jayne Ann Krentz, under her historical romance novel nom de plume of Amanda Quick writes couples that will remind you of Kishimoto's. Susan Wiggs historicals are also good that way (plus you get tons of accurate social history and cultural attitudes toward gender roles, economic classes, etc...)
Avoid the ones like a plague that describe the guy as "brooding, bent on vengence, etc... (It's likely the guy isn't a total Sasuke type, but it's a good warning he will be the jerk type and there will be a badly done long drawn out big misunderstanding, and/or worst all, possibly the guy will have sex with woman then reject her because he still believes his big misunderstanding- this is the absolute worse version of the big misunderstanding and much denounced by those that do romance novel reviews)
Edited by ciardha, 15 August 2010 - 02:24 PM.
Dream you dream alone is only a dream, but dream we dream together is reality- Yoko Ono 1971
When you go to war, both sides lose totally- Yoko Ono
Remember, our hearts are one. Even when we are at war with each other, our hearts are always beating in unison- Yoko Ono 2009