Excellent lecture, professor James!!
That was very informative, thank you!!

Thanks.
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I'll also add more:
I agree that the editor should be more worried about the quality of the series in the long run. But the problem is, some might not even hold the same kind of thinking. There might be some particularly stupid (or even inexperienced) editors that only care about getting the top spot this week. As it is now, I'm not just concerned about Kishi's writing. I'm also concerned about the quality of his editor. And it's the bolded I'm concerned about. He doesn't have to particularly be like that, just being all "hmm... Hinata gives higher ratings to the manga, let's give more spotlight to her."
There is no way to know that unfortunately until you see a pattern. When you see quality go down because blatant ripping of character just to gain profits, then you start to wonder how can such a story be printed without being proof read. Sure an editor may make a mistake or two, but I think an editor needs to be like a lawyer. They
shouldn't (and I emphasize this) let their personal feelings interfere with their job. If you do, then they cause problems not only for the job , but the product itself and the fanbase that follows it.
Here is the kicker, are the editor's aware of the shipping wars? I'd say so. Should they let this interfere with their job? No, cause that's not what they are supposed to be doing. They just are meant to maintain quality control.
I don't know what kind of job a Manga editor does, but I do know what a Comic book editors does. I'll put a review at the bottom of a brief summary. Since comic books are close to Manga, I would think that their jobs are rather similar. Here was written in a brochure I got once for a job offer.
Comic Book Editors meet with the Writer at the beginning of production to discuss the story concept. If you’re a Comic Book Editor working with existing characters with a long history, you discuss the things that character can and cannot do. Allowing your Writers to take liberties, such as giving an old character new powers, will get you in trouble with diehard fans, so you work hard to maintain continuity. After this meeting, you set a schedule for production.
Once the Writer turns in a script, you meet with the Illustrator and discuss how the comic book should look and feel. You may provide examples of previous issues, or you may ask to see sketches from the Illustrator as work progresses.
Once the illustrations are complete, you send the document to the Colorist for a pop of red and blue, and then you ask the Letterer to put dialogue from the script into the dialogue balloons.
After each step is complete, you perform a quick quality check to make sure the story makes sense, looks good, reads well, and has no grammatical errors. Any mistake you find must be corrected, but Artists can be touchy about disapproval. Sandwiching your criticism between nuggets of praise helps soften the blow.
Each step must be completed on time so production can move forward and the comic book can head to the print house and the website. One of your duties as a Comic Book Editor is to remind your team members of the deadlines on a regular basis so they can stay on schedule.
The bolded parts are most interesting my opinion as they seem to point at just maintaining the universe, not writing it. So if the writer has a plan and that plan is to do
this, the editor's job is to maintain quality control. He can alter the course to make it flow better, but I don't think he is allowed to break the course without permission from the writer.
A sensible idea would be that if the editor is forcing things to happen in the story, then he is breaking his role as the editor and he should be fired. Would explain why Kishi has fired previous editors over the years. Maybe they wanted the bias and they let it affect their work. We don't know. More or less, if a big uproar is made by the fans about the quality, it is up to the editor to see that and adjust the story to accommodate that. Complaining about not getting your pairing choice is not what they look for though.
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I very much agree that it is all about a balancing act. It's what good editors/authors pay attention to. Now, I'm wondering whether Kishi's editor is a particularly bad one (seriously, you don't hand one of your best-selling authors your worst editors if you want more profits and better story quality).
True. I'd say we have to see what the upcoming chapters would be before we decide whether or not the editor is doing his job right. One chapter won't do it and it takes a while for the reactions of the fans gets to the editors.
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On the note of spin-offs, I'd actually like one with Bee. He's interesting and wacky enough. Plus, he's obviously awesomely powerful.