Okay. So I've been thinking about the post Verilance made a bunch of pages back, and he's right. I think we, as a community, have lost our way in terms of our expectations and reading this story the way it is intended.
If I stand back and take a calm look, it becomes clear that we've been expecting something more to be underneath the underneath, or a level of finesse that doesn't actually suit a shonen manga.
For ages now we've been collectively braying and bleating about the way those "other" fandoms are missing the point. How they want something specific to happen... how they want what they want to happen so badly that they can't see the forest for the freaking trees. Upon reflection I would say we've basically been doing the same thing.
We've been over-analyzing every little detail, speculating on how things were going to play out and doing so much of it so often that certain artifacts of our speculations have become our reality. Just like those other fandoms. And then when Kishimoto delivers something we didn't expect -- and certainly didn't sanction (like elements of this chapter) -- we scream and tear out our hair, dissolving into something that's, well, not very pretty.
I think we've been looking for an emotional gradient, for more subtle shading when Kishimoto has been rendering his story in much broader strokes. Maybe it's just a natural result of having so much time on our hands in between updates to overthink.
If there's one point to take away from this chapter, it's that Kishimoto is purposely working back through his story to link his characters and current events to the life goals and emotional milestones that he set up for them from the beginning. He's circling back to connect the dots and tie up the loose ends.
In fact, many of us groaned because he has so obviously brought up Sakura's feelings for Sasuke -- again. Naruto's determination to complete the PoaL, save his friend, and eventually become Hokage -- again. Sasuke's struggle to let go of his hate and choose a positive life wherein he can experience a different kind of love and family -- again. It's as plain as day, and I submit that it is supposed to be.
There is no need for us to search for Kishimoto's point. He's painting us a picture in big, broad strokes of primary colors -- not some kind of Where's Waldo? exercise.
If Kishimoto is so obviously stepping back through the story to touch on and resolve his character milestones, then I believe we can be certain we will see the bench scene again in some form. It's practically guaranteed now.
So I'll just leave you with this....